Tartan, the film's distributor, submitted a teaser trailer to the Board in early October. As the friends negotiate the perils of an ordinary day, this gun determines the course of their lives, for good or ill. In the aftermath of a riot, Vincent Cassel's Vinz has discovered a handgun. The story follows a day in the life of three young men, each from immigrant families living in the Parisian cités (large modernist public housing complexes that encircle the city centre). It proved to be of political significance too: both the French President and Prime Minister contacted the director in the weeks following release, the latter to arrange a screening for government officials. Its history at the BBFC illustrates how examiners' contrasting interpretations of a film could sometimes lead them to different decisions.īy the time it reached the Board, La Haine had been well-received in its native France, where writer/director, Mathieu Kassovitz, had been named Best Director at that year's Cannes Film Festival. The black-and-white urban drama La Haine (English translation, "Hate") was submitted for classification in October 1995.
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